When Fabian Nicieza was writing Nomad (a Captain America spinoff that ran from 1992 to 1994), he wanted it to be more mature than your average Marvel comic book.Gillen himself has joked that the main reason for their collaborations is mainly to show off Jamie's art. The 2013 run of Young Avengers written by Kieron Gillen has become famous for innovative layout design by artist Jamie McKelvie, especially the double-page spread for each issue.Perez REALLY likes what he does apparently. When Wolfman got Perez's cover, he discovered Perez drew every goddamn villain he could think of. For Crisis on Infinite Earths, Marv Wolfman told him to draw a cover with Lex Luthor, Joker, Brainiac, and maybe a few others if he felt like it. EVERY! ONE! OF! THEM! ◊ Kurt Busiek meticulously researched the history of both teams to compile a list of 208 characters for George Perez to draw, making a beautiful piece of art and every geek in comicdom happy. They could have simply put a generic cover with a dozen characters doing something vaguely heroic, but instead decided to draw every character who had, to that date, been a member of either team, no matter for how short, including staff, reservist and honorary members. The cover for the third issue of JLA/Avengers.
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The art is equally full of things that they didn't NEED to do but did anyway. It's dripping with symbolism, historical and mythological references (a lot of which most readers wouldn't notice). It introduces multiple new characters with their own backstories and speech patterns practically every arc as well as tying them into later stories. Actually, most of what Alan Moore does belongs here- Watchmen was originally just supposed to be an integration of newly acquired trademarks into the DC Universe, but Moore just didn't know when to quit note there may have also been a certain amount of "we just spent money to acquire these guys and you want to kill half of them off in a one-shot series?" on the part of DC Editorial.
That Squatty Potty commercial with the baby unicorn pooping ice cream could have very easily gotten by with CGI, but the creators decided to go all-out with a full puppet instead.Other than some superimposition effects for the family at the beginning as well as the ending title cards, practically no computer effects were used to create the opening.
The HBO logo was made with brass, and the laser effects were achieved with light and camera tricks. The music that scores the opener was produced with a 65-piece orchestra. The entire city landscape was an actual model that was 10 feet wide and 30 feet long, with so much stunning attention to detail that it took over three months to fully construct, and during the making, smoke was pumped through in order to give it the appearance of a three-dimensional environment. All of the effects in the logo probably could've been achieved with CGI, but instead, Liberty Studios-the company behind the logo-went all out with making it using practical effects.
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HBO's iconic 80s movie opener so much so, there was even a short documentary produced about it.This Honda commercial, CG, right? It could've been, but why not go the extra mile instead ?.
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